Meet the Crafters: Tacha Reed

Happy Monday! The sun is shining, the birds are singing, and the forsythias are in bloom – all in time for Halifax Crafters Spring Fair! I hope everyone got to get outside and enjoy some time in nature this weekend! 

The next crafter we’d like to introduce to you takes inspiration from the natural world around her. Tacha Reed of Woodland Wool is a veteran Halifax Crafter – you may have taken home one of her adorable owls (or beavers, cats, foxes, monkeys!) that she creates using repurposed woollen materials. She’s recently expanded her offerings, and now creates stunning feltscapes, and functional hooked pieces (check out the amazing owl tea cozy below!) all of which you’ll find at the Olympic Center next weekend. 

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What do you make?

I make whimsical critters, “feltscapes” and rug hookings from natural and recycled materials including wool sweaters and other clothing.

What is your process?

I’m always on the hunt at Frenchies, Value Village and Good Things in Store for supplies; chunky yarn, vintage fabric and anything wool that I can shrink down and turn into something else. I don’t work with any physical patterns, I rarely even sketch things out -only when an idea hits me and I’m worried that I might lose it before I have a chance to make anything. Mostly I just map it out in my brain and then grab my scissors and my needle and thread and go for it, hoping for the best. Sometimes I have a few duds on the way as I figure out the patterns, but even those guys always seem to find someone to love them.

beavers

How long have you been a crafter?

I think I was born a crafter. My grandmother was always knitting, quilting or sewing and had a habit of collecting art and craft supplies, something that I too have adopted. You might say I have an addiction.

What is your background/How did you get started?

Many years ago I worked in animated television and every nine months or so the entire production crew would be laid off for three months until the next season started. On each break I’d fill up my time working on projects; beading, sewing, learning some new craft. After several years I realized that I had more than enough things made to fill an entire booth at a craft show. I mentioned the idea to my mother who quickly presented me with a copy of The Coast with an ad for Halifax Crafters. It seemed like fate. That was about 5 years ago and I have participated in every show since. The first few years I mostly sold reproductions of my visual art and my feather jewellery (a collaboration with east coast folk rocker Christina Martin). Over time I began to introduce my critters to the mix, first owls then kitties, foxes and monkeys and after a few years I dropped the visual art, and then the jewellery and now I focus on my woolen and hooked creations.

hooking

Why do you do what you do?

Creating the critter themselves happened by chance – one day my partner Bryan presented me with his favorite sweater that he had accidentally shrunk and he asked if I could do something with it. As a child I had a small leather camel and rabbit my grandmother had picked up at Frenchies. I remembered examining the toys, breaking them down in my head, figuring out the pattern and thinking that someday when I was older that I would make some myself. When Bryan presented me with the challenge I naturally turned to my childhood friends and made myself a camel, then a rather large rabbit. Then I looked at the shape of the remaining arm of the sweater and I made my very first owl. I got such a great response from my first few creations that I ended up sticking with it as my primary crafting hobby and before long Woodland Wool was born.

When you’re not selling at Crafters markets, where can I find your work?

You can find my critters at Put Me On in Halifax, Dots & Loops Handmade in Lunenburg, the gift shop at the Avon River Heritage Society Museum in Newport Landing, Johnny Ruth  in St John’s Newfoundland and through my Etsy shop.

cozies

What makes Halifax Crafters different from other shows?

I feel like I’m with the rest of my tribe when I’m at a Halifax Crafters show. I participate in a lot of different art events but this is the one at which I feel the most at home. Every show kind of feels like a trip home to visit some long lost relatives. I look forward to catching up with the vendors and hearing about all their endeavours and I love seeing the returning patrons, especially the little fellas who I’ve watched grow with each passing year. Every year I hear at least one fabulous story about the life of one of my critters and how they have made an impact on someone’s life. I love that something I created could mean so much to another person.

What are you excited about seeing at the Spring Market?

I have a few favourite vendors, I always look forward to seeing what new t-shirt designs the Quarrelsome Yeti has come up with, and I love checking out the beautifully dyed fibres from Uber Wench. I always look forward to Kyla Francis‘ new glassware designs, we seem to share the same nostalgia for old technological devices. I can’t wait to see the new puppet dudes by CRANKY, I’ve been following them online so it will be great to meet them in person. There is just so much great stuff there that really, I’m excited about it all!

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What do you do when you are not crafting?

When I’m not crafting I work as a freelance artist and designer and I help manage the art gallery side of things for the Bread Gallery in Brooklyn, NS. I am also the President of the Hants County Arts Council where I help to promote and organize several shows a year for the group. Come by my booth for a copy of our art’s digest and the Avon Land of Plenty info booklet, they can help to guide you when you take your next visit to Hants County!

How do you begin a new project?

I usually get started on a new batch of critters once I’ve picked up a number of sweaters to shrink. I always wait until I have enough of a certain colour, just in case the dyes leak (and because I don’t want to waste any water.) Once felted I cut off all of the arms and then break them up into my various critter shapes like owls, beavers, foxes and dragons. I used to make each one individually but now I treat it like a production line. My critters have four steps so I always have a collection of shells ready to be sewn, bodies ready to be stuffed, bottoms and wings/tails/ears pinned and ready to be sewn on, and a selection of nearly done critters that are just waiting for their needle felted details to be added. This way I can still keep things fairly spontaneous so it doesn’t have to feel like work.

I’m not sure there is a day that goes by that I don’t make something, whether I’m working on a critter or hooking a rug or spending time on one of my bigger feltscapes – I always have several projects on the go. A lot of my work involves repetitive motions so I’m always switching things up, trying not to do too much of one motion so that I don’t get too sore. I need these hands to last me my whole life!

Where do you do your work?

Last year we divided our garage in half with a man cave in the back for Bryan and all of my art supplies and various collections in the front. Here I work on my messier/smellier projects like working with stained glass, resin and silk-screening. Unfortunately we never got around to hooking up the heater last fall so throughout the cold winter and spring I have been working in my cozy corner of the living room. Hopefully this year we will get the garage studio operating year round and I can move all of my Woodland Wool related supplies outside and we can finally have our living room back!

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What kind of music do you listen to while you work?

I tend to listen to CBC music or CBC radio 2 for the most part, when I really need some motivation I’ll pull out my favorite vinyl; Bob Marley and the Wailers, Juluka, Talking Heads, Kate Bush, Joni Mitchell, Waylon and Willie – something really familiar that I can sing my heart out to.

A place you love?

Home.

Favourite time of the year?

I live for the spring. It wasn’t until I moved to the country and planted a garden that I became fully aware of the tiny changes that take place in the environment around me. Every day I take a walk around the property and look in on each and every plant to see the changes from the day before. We are lucky to have many creatures that share our pond; ducks, geese, otters, turtles. I believe that the experience of living in the country has steered my work in it’s current direction.

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Three things you need in order to create?

Music, sunlight and a comfy chair to sit in.

What’s your favourite way to procrastinate?

Writing, blogging, and email correspondence. If you finally get a long note back from me it was probably because I was avoiding doing the dishes, vacuuming or sewing for the craft show this weekend!

Meet the Crafters // Fresh Catch Edition: Amy Kenny

As Halifax Crafters has grown, we’ve not only opened up our applications to new vendors and food vendors, but also to vendors from out of province. We’re excited to have the opportunity to show work made by crafters from away, build our crafty community, and share ideas! We have a few crafters coming from out of province for our Spring 2013 Fair, they are : The Lonely Pixel Photography and MisAnthropy from Quebec, returning crafter Pip Robins from Toronto, and the Hamilton contingent, Rare Specimensbespoke uprising, and our fresh catch of the day, Amy Kenny of Crown Land Goods.

Amy works in leather and metal to create a line of Canadiana-inspired items, and her business is aptly named – Crown Land Goods.  She thinks of her work as  ’a line of hoser totems – tough, functional, wearable work that hopefully makes people feel closer to the places they miss’. Her craft is inspired by her travels by bike and her work as a writer. We’re looking forwarding to welcoming Amy to Halifax, make sure to stop by her booth and say hello!

Hoser Necklace 039 (Large)

What do you make?

I make leather and metal jewellery and accessories.

What is your process?

My boyfriend and I go on a few short and extended cycling/camping vacations every summer. To get a little Zen and the Art of Motorcycle Maintenance about it, the slowed-down speed and degree to which you are at the mercy of the elements forces you to recognize everything about the landscape. The endless hours of riding give you plenty of time to think. I always take a sketchbook with me and come back with tonnes of ideas which I then work out in the studio through trial-and-error.

Flasks

How long have you been a crafter?

Since 2008

What is your background/How did you get started?

I went to university for journalism and make the majority of my living as a writer. In early 2008 I was looking for leather scraps to try my hand at a making a journal. The search led me to Tundra Leather – an amazing shop right near my house in Hamilton that has been such a great resource as far as tools and teaching. When I saw that they offered carving and tooling lessons I thought I’d sign up and maybe make some wallets and belts to supplement the paintings I was selling at local markets. Up to that point I had never been good at sewing or jewellery-making or anything like that. For whatever reason, as soon as I had my hands on leather, something about the quality and characteristics of the material opened my mind up to a million possibilities and I was hooked. From there I almost immediately wanted to get into metalwork, but knew it would open up another black hole I would obsessively throw money into on my hunt for new and awesome tools (much the way it went with leather) so I resisted until 2012 when a silversmithing course at Mohawk College hooked me. Again.

Working in studio (Large)

Why do you do what you do? 

I just love it. I get antsy if I’m not in the studio enough. I’m a pretty physical person and while I love, love, love writing, I go crazy if I have to sit down all day. Working with my hands in leather and metal gets me moving and gets me creating something concrete, which feels good.

When you’re not selling at Crafters markets, where can I find your work?

On Etsy, at White Elephant in Hamilton, Ontario and at Katharine Mulherin Contemporary Art Projects in Toronto, Ontario.

Klondike River Change Purse (Large)

What makes Halifax Crafters different from other shows?

For me, what makes it different is that I’ve never done it before! I’m really excited to see what it’s like and, of course, to drive east and spend time in Halifax. I love your city!

What are you excited about seeing at the Spring Market?

Karolina-Anna Hajna’s Bouquet of Street Necklaces. Such beautiful execution of such a great concept.

What inspires you to create? 

Canadian geography. Whether I’m writing, painting, or doing leather or metal work, I aim to tell Canadian stories, so my inspiration comes from the physical and human geography of Canada. I tend to think of Crown Land as kind of a line of hoser totems – tough, functional, wearable work that hopefully makes people feel closer to the places they miss.

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How do you begin a new project? 

Too quickly. I’m impatient and have a problem with not really planning things out very well before I begin. I get the idea and just start going to town on the leather and the metal rather than sketching and making paper mock-ups to figure out how I’m going to realize the finished piece. Sometimes this results in slightly botched prototypes, but even that’s not all bad because that means I get to keep something for myself.

Where do you do your work? 

In my studio – a second-floor space in downtown Hamilton, right above my boyfriend’s bicycle shop.

Ribbet collage

What kind of music do you listen to while you work? 

I usually listen to the radio – CBC or This American Life or The Moth. If I listen to music, it’s all over the place depending on my mood but I’m currently very into the band Trent Severn. If I could make music, theirs is exactly what I’d want it to sounds like.

A place you love? 

Yukon. I spent one summer cycling/camping through B.C., (mostly) Yukon and Alaska, and part of one summer in Ivvavik National Park working on a story for Canadian Geographic about artist’s residencies in national parks. It’s just magic up there. I love it. I think about it every day.

Citadel Hill Necklace (Large)

An artwork or artist you love? 

I’m all about work that engages the maximum number of senses. I want to touch and see and hear and smell everything (art or otherwise). Because of this, I’ve had angry docents and security guards follow me through galleries and museums the world over. Also because of this, I’ve always loved Janet Cardiff and George Bures Miller for their interactive pieces. I’m also into Elinor Whidden and Lauren Hall because they’re awesome. Lastly, my role as a member of the curatorial committee for Hamilton’s Supercrawl (a huge street festival that celebrates arts and culture in the city) introduced me to Brandon Vickerd’s work a few years ago when we started trying to get him to show at the festival.  In 2012, he exhibited three pieces and I just think his work is so diverse and amazing.

Favourite time of the year? 

Fall – best of all.

Three things you need in order to create? 

An organized studio, an idea and something to listen to.

A favourite quote?

“Try not. Do or do not. There is no try.” – Yoda

Canteen Holster (Large)

A film or book you love?

Oh man…where to begin? I think I’ll go with Late Nights on Air (Elizabeth Hay), The Diviners (Margaret Laurence), The Big Why (Michael Winter) and Fall on Your Knees (Ann-Marie MacDonald). As far as films…I cannot narrow that down without some intense research and ranking, but the movie I’ve watched more than any other is probably Brick. It’s a fantastic film and my go-to background movie when I’m working but want something on that I know I’ll love.

What’s your favourite way to procrastinate?

Cleaning because that’s at least productive procrastination. I hate procrastinating. A few years ago I found I was getting too easily distracted by the Internet. As a non-computer-savvy person, I downloaded some site-blocker I knew I would forget how to use and buried it in some place on my computer I knew I would never be able to find again. I then used it to blacklist all the sites that weren’t contributing to my life in a positive way. Bam. Problem solved.

2013 Spring Fair Vendors

Here it is, what you’ve all been waiting for – our Spring 2013 Fair lineup! Pencils ready, on your mark, and start making your gift giving list! We’ve selected a great group of crafters working in many different mediums, and we’ve broken them down by category to help you in your search. Be sure to scroll all the way to the bottom to check out our Fresh Catch offerings this time round, we hope you’ll love their work as much as we do!

WOOD

Be Bold
Terron Dodd
Peggy Jenkinson
Have A Seat
Ravenview Art & Craft
Swaine Street Woodworking

2DChris Foster
Sarah Burwash
Anna Stowe
Rebecca Roher
Benjamin Allain
The Quarrelsome Yeti
The Lonely Pixel Photography
Ocean Art Studio
Fish Bone Prints
Hello Daylight

TEXTILE ARTL-A Steeleworthy
Wanderlust
keephouse
Joanna Close
Anna Taylor
Sewn by Blythe
The Sparrow Tree Handcrafted Toys
Woodland Wool
CRANKY
bespoke uprising
UberWench – Fine Art Fibres

TEXTILE APPARELChantal Doak
heart and hook
Orphanage Clothing
Pip Robins
Meversible Hats and Accesories
The Scoop
Sweet on Ewe
Poison Pear
Dartmouth Clothing Co
Marshall Arts Fine Handwoven Textiles

PAPERCRAFTPapercutter – ANI van DYK
Little Foible
Sarah Phelps Creative
MyHandboundBooks
White Raven Ink
bigDAY
Mule Mother Books
Inkstorm Screenprinting Collective + Anchor Archive

LEATHERSteady Brook Saddlery and Custom Leather
Old Birch Workshop

jewelryStacey Leunes Designs
Rare Specimens
TORI.XO
Angela Grace Jewelry
Elkencrow
Fervours Own Jewellery
Rita

GLASSPeace By Piece Glass Art
Kyla Francis
Barchaud Designs

FOODHoneyspoon Baking Co.
Cocoa and Honey Chocolates and Confections
Little Red Kitsch’n
The General Cafe
Homeschool Catering
The Food Wolf

COSMETICSOsha Mae
Simply Sublime Soaps
Cosmic Tree Essentials

CERAMICS01Karolina-Anna Hajna
Rachel de Condé
Therese Bombardier Designs
Morton Ceramics
Gold Fools
Black Crow Pottery

FRESH CATCHbows+arrows
MisAnthropy
paisley chapbook press
Betty & Bing Letterpress
Arundel Studios
Neuneu Booboo
Crown Land Goods
Jitterbug Sodas and Twist Elixirs
Bedlam Cats
Stitch Please
LuLuBellefontaine

Meet the Crafters: Sarah Burwash

The blue sky has finally appeared today, the birds are singing, and we are less than one month away from the Spring Fair! Leading up to each show we present a series of interviews with a selection of the makers who will be vending their work. We are really excited about some of the new vendors we’ll be presenting this time round, stay tuned for a preview of the show! 

Today we’d like to introduce you to Sarah Burwash, a Halifax Crafters veteran who has been getting some awesome online attention from folks like Grace Bonney of Design*Sponge. You can find that feature here. We love Sarah’s intimate drawings and small ceramics, and she sells affordable prints of work influence by her travels and the natural world. 

What do you make?

Watercolour drawings, ceramics, installations, dreams, sweets.

What is your process?

I find my inspiration in books, travel and time spent by the ocean or in the woods, from my everyday, that inspiration percolates, narratives grow, I collect source material to support those narratives and let the rest happen intuitively on the page. Ceramic work is generally all intuitive.

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How long have you been a crafter?

My mom did crafts with me and my brothers since we were wee. She also vended at crafts sales my whole life and I was her helper so it’s always been apart of my life.

What is your background/How did you get started?

My mom got me started. I received my BFA in 2009. I have been pursuing a variety of creative endevours my whole life, drawing and 2D work being the most prominent and lots of experimenting in other mediums.

Why do you do what you do?

It’s the only way I know how to be.

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When you’re not selling at Crafters markets, where can I find your work?

You can find my work online on my website, in my Etsy shop, from Stay Home ClubMammoth & CompanyThe Working Proof, and Compound Gallery.

My work is available in store at Inkwell Boutique (Halifax), Dots & Loops Handmade (Lunenburg), and Salty Rose’s (Ingonish).

What makes Halifax Crafters different from other shows?

Great tunes and foods.

What are you excited about seeing at the Spring Market?

I always love seeing what jeweler Jesse Tempest is up too, the wooden spoon man and Osha Mae Soap.

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Where do you do your work?

I have an at home studio space.

An artwork or artist you love?

Richard Long

Favourite time of the year?

Fall

ceramic studio

Three things you need in order to create?

Light, hot liquids, a spark.

A film or book you love?

A Field Guide to Getting Lost

What’s your favourite way to procrastinate?

Beach times

Meet the Crafters // Fresh Catch Edition: Benjamin Allain

One more sleep till showtime! Tomorrow the Beary Merry Winter Market will open at 10 AM, at the Olympic Centre, 2304 Hunter Street. Admission is free! Don’t forget that most vendors take cash only, there is an ATM on site if you need it (: Also make sure to come hungry – there are lots of great food vendors on site, lots of delicious treats, as well as some great lunch options from Homeschool Catering.

The last Crafter we’d like introduce to you before the show is Benjamin Allain. He makes paintings, tells stories with collages made from his collections of found materials and words. Make sure to visit his table, no two of his paintings are alike!

Benjamin Allain

What do you make?

I make small, humble vignettes that depict characters in a surreal, understated sort of fairytale. I like to use materials that I find at thrift stores and yard sales in my narratives because these objects already have a history of their own, and can contribute to my stories with much more gusto than a canvas that has only seen the inside of a factory.  I use text as a thread to punctuate subjects within the work that may seem disjointed. I combine elements of folklore, regionalisms, antiquated illustrations, gallows humour and, most importantly, chance to create an awkward moment in a whimsical story.

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What is your process?

It’s sort of a factory line with no blueprints and the employees are all four minutes away from quitting time.  I am an accumulator of things firstly. I have stashes of phrases, photographs, old drawings, branches, seashells. I continuously collect free and cheap things, useless things, garbage, driftwood, pages from novels. I’m not organized. I don’t even live in its district. Everything is everywhere and it is only by minor miracle that any of it comes together. I don’t know. I’ll just have a really great day and sit down with all this junk and start drawings things, gluing things together. This is the factory line with no plan. I’ll have a stack of paper, a stack of cutouts, some phrases in mind. Works are built up in layers and layers, sometimes over many years, as I keep and continuously change any work that is in my possession. When things start rolling, the pieces feed off of each other, and a narrative takes place within the whole pile. I find it much more fun to create a narrative as I go rather than adhering to a predisposed idea of what a piece should look like or say.

How long have you been a crafter?

I’m not sure of the exact date, but my oldest surviving work is a large scale drawing of all the Teenage Mutant Ninja Turtles and their enemies I drew on the back pages of my mothers cookbook when I was two-and-a-half.

What is your background/How did you get started?

I had been studying Rorscach and chance in different classes during my schooling, and those ideas sort of unified in these drawings I had made by mapping out forms I saw in coffee spills. From there I’d spend a lot of time thinking about poems and titles to go along with the now-concrete forms. I realized I loved figuring out what story was going on in these completely random spills. It’s still how I make my work, although now I try to find an interesting narrative in things with a few more materials and layers.  It’s as much fun trying to make sense of a canoe in a gold oval frame as it is a spill of coffee.

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Why do you do what you do?

To create private jokes between me and the viewers of my work. My work is very purposefully cryptic, but definitely not random. There are dots to be connected between the text, the images, the painted-over parts, the fingerprints… when someone looks through all of the parts and they find a story similiar to the one i had intended (or a more interesting one i had no idea was in there!) it’s kind of like you just broke the ice with that person. It’s a wonderful thing to share with a stranger or even an old friend who you thought would never get that silly drawing of twelve soldiers with a rabbit on a TV.

When you’re not selling at Crafters markets, where can I find your work?

If you’ve not found one of the drawings I deposit in between bookpages all over the maritimes, you can see most of my new work on my Tumblr page and as part a wonderful collaborative community called Feelsgood.  You can also see some of my work at music shows and stores. I’ve been really lucky to get to design album artwork or posters for the Grass Mountain Hobos (RIP),  Gordie MacKeeman and his Rhythm Boys, Owen Dacombe Steel, Mike Trask, the Belle Comedians, Carleton Stone, Andrew James O’Brien, Scott MacKay, Ashelin, and the Ross Family Band. I’ve only recently come to terms with actively looking to show my work, so keep them peepers peeled in the coming months for shows from here to Vancouver. And in between, too!

What makes Halifax Crafters different from other shows?

Everything just seems so dang honest and the overall impression I get is both timeless and 2012. At some other markets, I felt like the some crafters were just there to sell their wares. Which is fine and all, but it’s a much better feeling to get to talk to an artist or crafter about their work and see genuine interest in their voice, regardless of whether or not you buy something. Because of that ingenuity, I found it much easier to part with money for something so loved by its maker.

 What are you excited about seeing at the Winter Market?

Oh goodness. Everything. It’s ennobling to be immersed in the collective fruits of many months worth of work, my only hope is that I can fandangle someone into watching my table for an hour or two so I can meander around at a good, slow pace.

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What inspires you to create?

Whichever book I am reading. Whichever album I am listening to. Finding an interesting piece of wood or a charmin’ little piece of brick-a-brac.  It’s usually just being in the right mood to make what I’m making. I’m lucky to have made associations in my brain that make me want to make artwork no matter my mood. I have things I can work on when it’s three am and I’ve just returned from a really exciting evening. Or on rainy Sunday mornings. Or when I get to listen to a new album. In terms of phrases, I’ll usually hear something really interesting while I’m back home on PEI hanging out with my elder kinfolk. The phrases and small changes made to personalize regional dialect are endless wells of textual inspiration.

 How do you begin a new project?

I think I am working on a continuous project.

Where do you do your work?

Lately I’ve been scavenging for materials, so I might say I do a lot of my work on the shore and thrift stores and roadside giveaways. Once I have my materials, I joyously sequester myself in my room for a few days with the essentials of creating and lose track of straight time. Things usually go willynilly till sometime after midnight, which has always been the way. I think I convinced myself of two very important things at a young age: During the day, there are many more minds to intercept good ideas from the air. When everyone else is asleep the odds are in your favour. And there is something very inspiring about the moon at three am.

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What kind of music do you listen to while you work?

I will answer the predictable answer of ‘everything.’ The only real rule I’ve put on myself is to listen to music without lyrics or with lyrics in another tongue so I don’t make impulsive decisions on what text to add based on the feeling I get from a song. A lot of the times those words don’t translate to what I’m working on. I think I decided this when I had a really great drawing of a dozen crows tied to a ladder via rope and put “Love in an elevator” in huge letters at the top.

A place you love?

Fireside.

Favourite time of the year?

I’m a sap for whatever season is current.  Right now I love autumn for all the right reasons. Wool. And in a few short weeks, I am going to love the cold embrace of crystalline air and the various crunchings of solidified water.

Three things you need in order to create?

Coffee, tobacco and candlelight.

A favourite quote?

“It’s never too late to have a happy childhood.” Tom Robbins, last line of Still Life with Woodpecker.

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A film or book you love?

Any book by Tom Robbins is guaranteed to fill my head to the brim with his wild concoction of philosophical ramblings, romantic tangents, absurdiy and truth. Actually, his work may be the single biggest indirect influence on me at this point in my artmaking.

What’s your favourite way to procrastinate? 

Well, during these hermitty days in my room when I’m absent from day-to-day, the pangs of hunger eventually hit and I’ll end up spending a few hours going out to get ingredients, putting on the CBC, fixing a drink and filling the kitchen with the warmth of a very amateur cook who spends much more time in the kitchen than he maybe ought to.

Meet the Crafters // Fresh Catch Edition: Marc Comeau

 Today we’re excited to introduce you to another of our ‘Fresh Catch’ Crafters, Marc Comeau of Old Birch Workshop. Marc makes functional leather items that are simple, classic, and would make good gifts for hard to buy for relatives on your list, like your little brother or Uncle Ted. Be sure to stop by his table at the Winter Market and say hello!

What do you make?

I work with leather and I make whatever I can out of it! My staple product is the belt, but I also make camera straps, dog & cat collars, and leashes. A lot of my projects have stemmed from thinking of something I could personally use. I am always looking for new projects to attempt. I’ve made a shoulder strap for my duffle bag, a folding camp stool, a knife sheath, a slim wallet, pedal straps for my bike and a belt-mounted bike lock holster. I like creating things that make life easier and look good at the same time.

What is your process?

Starting with a full hide of leather, I cut strips or other shapes, trim them to the appropriate size, bevel edges, and skive to taper leather where needed. Then I apply dye, apply a finish and finally, stitch the leather or secure it with rivets or snaps, and attach any hardware. I am also able to stamp various designs into the leather, including letters or numbers, so I’m able to personalize items with a monogram or stamp your pets name on a collar.

How long have you been a crafter?

I have been crafting for a little over a year now. I feel like I’m just getting started and there’s a lot I know I can learn and improve on.

What is your background/how did you get started?

Based on my background, you might be surprised to learn that I’m artistically inclined. Math was my favorite subject through school and I went on to dabble in engineering and business studies, though most of my time has been spent behind a coffee shop counter, which provides fleeting moments of artistic expression. I got started in leather crafting after perusing various blogs of artists who make similar creations and being inspired by their efforts.

Why do you do what you do?

After seeing the neat things other people were putting out there, I found myself yearning to own a lot of it and got to wondering if I had it in me to create it for myself.  After discovering I did, I got to thinking ‘hey, other people might be interested in this stuff, people in this city, who might not otherwise be exposed to it’. In this day and age of out-sourced, mass-produced garbage, I have an appreciation for things that are made with care, made with pride, made by hand, and made to last. I want to support that sort of craftsmanship and encourage people to think about the long term when they are buying something – buy what will last or be self-sufficient and make it yourself!

When you’re not selling at Crafters markets, where can I find your work?

In the not-too-distant future, I intend to develop my online presence via a blog and an Etsy shop. In the meantime, feel free to contact me at marcus.comeau@gmail.com if you are interested in my work. Got an idea? Send it along! I welcome commissions and I am all too happy to take on new projects. I can also possibly do repairs, depending on the job.

What makes Halifax Crafters different from other shows?

I have been to the last two Halifax Crafters shows and they do well to create a fun and inviting atmosphere. Between the décor, the music, the sense of community and the wonderful array of talent by all the vendors, it is easy to find a reason to go. The Winter Market is perfectly timed with Christmas and could very well be a one-stop Christmas shopping excursion for a lot of wise folks. Get out there and get your mom a locally made piece of art!

What are you excited about seeing at the Winter Market?

I’m excited to see what my ever-so-talented friend, Ellen of Mule Mother Books has been busy creating. She makes really beautiful notebooks, sketch books, and DIY bookmaking kits that incorporate recycled, one-of-a-kind images/resources and really, really nice paper. I’m also looking forward to checking out the works of crafters I discovered last year. And of course I am also eager to see the works of other new vendors like myself. I should start setting aside cash now, because I’ll undoubtedly see lot of things that will tempt me to pull out my wallet!

Where do you do your work?

I’m gradually piecing together a small workshop in my basement. I feel really fortunate to have this space and I’m making improvements on it all the time.

 What kind of music do you listen to while you work?

I really enjoy easing into my day with Julie Nesrallah on “Tempo”. When I find myself down in my workshop in the evening, I let Laurie Brown of “The Signal” on CBC Radio 2 choose my soundtrack. I find repetitive, instrumentals quite help me concentrate on my work. Things like The Field, Braids, Broken Social Scene, Flying Lotus, Atlas Sound. Though lately I have been listening to at lot of Kurt Vile and Cousins.

A place you love?

My home. The people in it make it awfully nice to come back to and awfully hard to leave, especially as we transition from summer to fall/winter and I enter into hibernation mode.

An artwork or artist you love?

I may be biased, but my sister, Krista Comeau is a skilled artist and NSCAD graduate whose many talents go far beyond her dominant interest in photography. Whether it’s a paintbrush or pencil or camera lens, she excels with any medium and has a definite knack for creating something beautiful. She took all of my product photographs, as well as the photos of me in my studio.

Favourite time of the year?

You might hear me cursing the winter for its cold, wet weather, but I do appreciate it. I love when the snow falls thick, blanketing everything while I stare at it from the cozy side of the window with a hot cup of something. Fall is beautiful too, with its rich colors and refreshing, crisp air that encourages you to dig out your cozy toque and scarf. All that being said-  I live for the summer. It’s short-lived here but I make the most of it. Bike rides, beaches, beer, birthdays, bon fires, buds.

Three things you need in order to create?

A positive mindset, a full stomach, and all my tools & supplies.

What’s your favourite way to procrastinate?

A bowl of popcorn, Apple TV, hanging out with my girlfriend- and not in that order!

Meet the Crafters // Fresh Catch Edition: Rebecca Roher

We mentioned in our last post we’d be introducing you to some of the crafters in our new ‘Fresh Catch’ category. This category is yet another way that Halifax Crafters is endeavouring to bring new and inspiring work to the show, providing you with fresh gifting ideas, while giving emerging crafters the opportunity to test new waters. We are really excited about our ‘Fresh Catch’ Crafters, and can’t wait to give you a sneak peek of some of the fantastic new work that you’ll find at the winter market. Let’s get started!

The first ‘Fresh Catch’ crafter we’d like to share with you is Rebecca Roher of Rebecca Roher Art. She is an accomplished painter and illustrator who lives and works on the South Shore of Nova Scotia. We love Rebecca’s paintings and her use of colour – they are as playful as they are thoughtful, and would make great gifts for the dreamers in your life! 

What do you make?

I paint bright and whimsical watercolours inspired by the beauty and wonder of the natural world, and the curious and playful way we interact with it. I try to capture the magic in the everyday, playfulness, humour and the joy of life. I’m awed by the way children explore the world with wide open eyes, and the intensity with which a kitten can focus in on very small details and be completely engaged. I get excited about gardens and forests, all the life hiding within, rich in potential for imagery and stories.

Aesthetically, I love the traditional Mughal miniature painting style from India, its flat aesthetic and small-scale detailed portrayal of plants, animals and figures. I am hugely influenced by stories and storybooks and tend to think of my paintings as illustrations. Illustrations are very powerful, especially for the very young. The images we gazed upon while parents read goodnight stories stay with us for life. Who knows how they inform the people we become.

What is your process?

The images I create often come to me after I spend time outside, flipping through a book, hearing or imagining a story, and sometimes from seeing a powerful image or symbol. I keep a lot of sketchbooks and doodle in them. Sometimes I want to take a sketch further and make it into a painting. When I paint, I try to tap into my inner child and remember how to play.

I try to be both loose and controlled in my handling of the watercolours. I like a naïve aesthetic, and an exaggeration and simplification of colour and shape. I experiment with the possibilities of the watercolour medium, playing with effects achieved by water, resist and salt. I limit myself mostly to two very fine brushes, made in India of squirrel hair. These brushes are traditionally used to paint Indian miniature paintings—a style which, as I mentioned, is an important influence for my work.

How long have you been a crafter?

I started focusing on watercolours in my final year at NSCAD about four years ago, but only started making prints of my paintings in the last year, so I am quite a new crafter and am in the ‘fresh catch’ category this year. I started selling prints this summer at my local Farmers Market in West Dublin, NS and at the Sappyfest Zine Fair in Sackville, NB. The prints are limited edition and are printed on heavy archival quality watercolour paper. I am delighted by the results. They are bright and beautiful and look shockingly like my original work. I also sign, title and number each print.

 What is your background/How did you get started?

My mum is an artist and used to take me to life drawing classes when I was growing up in Toronto. This gave me an amazing foundation in drawing the figure- something that informs the ability to draw anything. I graduated from NSCAD with a BFA in drawing and painting in 2009. After graduating, I was accepted into a yearlong studio residency at the Old Firehall in Lunenburg, NS. There, I was able to establish a focused studio practice. Upon leaving the residency, I stayed in the LaHave area and rented a small wood heated cabin for my studio where I painted the majority of the work available as prints at crafters this year. The cabin was cut off from communication and distractions, and I was quite productive there. Now, I work in a studio in my home in West Dublin.

 Why do you do what you do?

I love painting. It’s something I know I will do forever and get excited about doing forever, which I can’t say I feel about most other things. When I see or hear something that inspires a feeling in me, I have a vision and get the urge to paint in order to capture it. I get the urge to paint all the time, I never feel that I’m doing it enough. There are way more paintings still in my head than on paper.

When you’re not selling at Crafters markets, where can I find your work?

You can find my work in my Etsy shop and in store at Dots & Loops Handmade in Lunenburg.

What makes Halifax Crafters different from other shows?

Halifax Crafters has an incredibly high standard of handmade local goods. It’s amazing how many talented, creative people there are in the Halifax area selling their creations there. I’ve been a customer at the sale for many years, from back when it was in the North Street Church, and it’s expanded so much. It takes a lot of self-control to spend an appropriate amount of money there- I just want to buy everything.

What are you excited about seeing at the Winter Market?

Although I am the kind of person who wears the same piece of jewelry for years and never take it off, I am always most attracted to the jewelry at crafters and end up becoming completely attached to a ring or necklace. I also get quite attached to mugs, I get lost in the fantasy of holding a handmade mug full of warm coffee. Also, anything tiny.

 What kind of music do you listen to while you work?

I’m on a big Bill Callahan kick. In that vein, the Weather Station and Jennifer Castle. I also love female jazz vocalists and am pretty excited about a recent discovery of Greta Keller. I also like to put on stuff with a beat, like Little Dragon and Grimes, to keep energy going.

 A place you love?

My cottage and canoe tripping in Northern Ontario. I miss both so much.

 An artwork or artist you love?

Maira Kalman- her book “the Principles of Uncertainty” and everything else she does, also Frida Kalho and Quentin Blake.

 Favourite time of the year?

I like every season but think I like fall best. Maybe that’s just because its fall right now. Everything slows down and its time to make fires, wear sweaters and get cozy. It’s not too cold yet and there is still bounty from the summer. And oh, the colours!

What’s your favourite way to procrastinate?

Tending to the fire, puttering around my house and tidying things.

Meet the Crafters: Blythe Church

We’re all looking forward to this year’s Beary Merry Winter Market, December 1st and 2nd, and it’s just around the corner! Get excited and inspired by following our ‘Meet the Crafters’ interview series here on the blog. We’ll be introducing you crafters in our ‘Fresh Catch’ category (new talent at Halifax Crafters), so check back and get hooked!

Before we dive into new waters, we’d like to present one of our veteran crafters, Blythe Church of Sewn by Blythe. She was recently named Best Crafter by The Coast’s Reader’s Choice polls (yay Blythe!), and this will be her 10th Halifax Crafters show. I love the playfulness of her work, her creations are special because of her eye for detail and knack for finding interesting materials. 

What do you make? 

I’m a textile artist and I make a wide variety of different creations from toy monsters, and baby clothes to soft sculptures.

What is your process?

I sew, weave, dye, felt and embroider, I’m constantly experimenting. My soft sculptures of everyday objects are made using hand dyed wool felt that I heavily embroider to mimic the real thing. My monsters and baby clothes are sewn using recycled wool sweaters.

How long have you been a crafter?

I have been crafting as long as I can remember. My mom was an art teacher so I grew up with an abundance of art supplies, I was constantly creating. It wasn’t until I started selling at Halifax Crafters and in a few galleries that I realised that people liked my work and I could make a living off it. My first Halifax Crafters Market was the summer of 2008. (This will be my 10th Crafters) and I now consign my work to 10 stores across the country.

What is your background/How did you get started?

I graduated with a degree in textiles from NSCAD in 2004. I spent a few years after graduation working a 9 to 5 job and doing little else. I was miserable. I became involved in the Craftster online community and started doing trades of work with other crafters and it really motivated me to start a business.

Why do you do what you do?

I don’t feel like myself unless I’m being challenged creatively. I’ll get an idea in my head of something I want to make and I won’t be able to concentrate on anything else. Not everything is successful but I’m always learning along the way. My dream is to work on my business full time so I’m constantly pushing myself.

You were recently named Best Crafter by The Coast’s Best of Halifax, congrats! Can you tell us a bit about what being the reader’s choice has meant to you and your business?

I was really honoured. The past couple of years have been really tough for me, trying to balance being a mom with a part time job and my business. There have been many days where I have been sewing at 3 in the morning and I’ve asked myself why I do this. Winning Best Crafter reminds me that the hard work is worth it.

When you’re not selling at Crafters markets, where can I find your work?

I have an Etsy store and locally you can find my work at the AGNS Gallery Shop, Dots and Loops, Flying Cloud Boutique, Inkwell, Put Me On and Swoon Fine Art.

What makes Halifax Crafters different from other shows?

Halifax Crafters is a refreshing break from traditional craft fairs. It’s the place to go if you’re looking for affordable, original, contemporary craft. And because it’s juried you know that all the work you find is going to be great craftsmanship. Being a part of Halifax Crafters has been a wonderful experience. It’s is a really supportive community, from the organizers and fellow vendors to the customers, everyone is so encouraging. There’s nothing like the excitement felt as the doors open at the beginning of a sale.

What are you excited about seeing at the Winter Market?

I’m excited to see what everyone has been up to since the spring. I’ll be doing my Christmas shopping, although I’ll have to restrain myself because as usual I know I’m going to want to buy for myself!

 What inspires you to create?

Thrift shopping! About 90% of the materials I use are upcycled so I am constantly scouring thrift stores for supplies. There’s nothing better than finding different fabrics and trims and imagining the different uses you can find for them. A crazy 1980s mohair sweater can be turned into a monster, old buttons can be used for the control panel on a robot, vintage sheets can be the background for embroidery.

Where do you do your work?

I live in a 1960s bungalow and we’ve converted the basement rec room into a studio. It’s a bright space with large windows that overlook the garden and I have all my favorite vintage toys on shelves lining the walls.

What kind of music do you listen to while you work?

Recently I’ve been on an audiobook kick, I never have time to read so I’m finally able to make my way through the Harry Potter books.

A place you love?

The lake by my house. I swim there all summer. It’s so peaceful and serene; I have to remind myself I’m in the middle of suburbia.

An artwork or artist you love?

Claes Oldenburg

Favourite time of the year?

Late Spring

Three things you need in order to create?

Needle, thread, lots of space to make a mess in.

A film or book you love?

Anything directed by Jean-Pierre Jeunet or Wes Anderson

What’s your favourite way to procrastinate?

Catching up on the blogs I follow.

A favourite quote?

“Do you think I’ve gone round the bend?” “I’m afraid so. You’re mad, bonkers, completely off your head. But I’ll tell you a secret. All the best people are.” ― Lewis CarrollAlice in Wonderland

Meet the Crafters: Jana Bookholt

Okay folks, this is our last crafter interview, which means tomorrow is showtime! Don’t forget to bring your friends, admission is free! (Oh and come hungry. There are some great food vendors that you don’t want to miss). 

Jana Bookholt of Swaine Street Woodworking hopped off a plane earlier this week and the first thing she did was answer these questions for us. She makes a lovely line of cutting boards that I’ve been coveting for ages. 

What do you make?

I make things out of wood. Mainly cutting boards, and a line of wood care products including Rosemary Lemon Cutting Board Oil and Beeswax Polish.

What is your process?

For a cutting board I begin with rough lumber, mill it down, cut it, glue it up and sand it. Then I draw on the board with my wood burning pen. My most popular board has a cow on one side, and a carrot on the other so you can flip it to prevent cross contamination when you’re cooking.

How long have you been a crafter?

I have been a maker since I could grasp a pencil and a glue stick. I began working with wood last year though.

What is your background/How did you get started?

I went to NSCAD after high school and took mostly printmaking and drawing classes. I practically lived in the lithography studio. I did take the wood and metal class, but the funny thing is I never finished the wooden box we were supposed to make. I think we had to be in the shop around 9am and I was really afraid of the saws and I really didn’t like getting up early. After graduating I bought an old house and decided take cabinetmaking so I could fix it up myself. I moved to New Glasgow for school and while I was there I started making wooden toys and cutting boards.

Why do you do what you do?

Because I love making. I love that I can go into my shop and make whatever I want and it can be something beautiful, and useful, and it can last for a 100 years or more. I love learning about woodworking and constantly improving and building upon my skills. I get bored if I don’t have a challenge.

When you’re not selling at Crafters markets, where can I find your work?

In Nova Scotia you can find my work at henhouse, Love, Me Boutique, Carbonstok, The Nova Scotia Centre for Craft and Design Shop, and Dots & Loops, and I’ll be at the Halifax Farmers Market Saturdays starting mid May. In Ottawa my work is carried at Bloom Artisan Boutique. I just got back from Toronto late Wednesday night and I’m really excited that my product line will be making it’s Toronto debut at La Merceria, followed by Distill as well as a few others.

How long have you been involved with Halifax Crafters?

Halifax Crafters Spring 2011 was my very first time selling at a craft show. I’ve always looked forward to attending. I can’t remember the first time I went but it was when they were still in the North Street Church.

What makes Halifax Crafters different from other shows?

The Halifax Crafters always put on a really fun sale. There is such a wide variety of work and you can get something beautiful and handmade without dropping an obscene amount of money. Because it’s run by volunteers the table cost is low which is really helpful for emerging artisans and it creates a great sense of community. Plus the music and decor is way better than at other sales.

What are you excited about seeing at the Spring Market?

I’m excited to see what everybody has been busy making all Winter. There are too many crafters to list! It seems I always need more handmade hairpins because I end up giving them away all the time. I’d love a new coffee mug and I love checking out the jewellery.

How do you begin a new project?

When I’m trying to come up with new designs I’ll usually go to the NSCAD library and browse through the books. I like stumbling upon things I never would have found if I had been looking in the catalogue.   Right now I’m loving anything folk art – painted and carved folk furniture, bird decoys, quilts, antique wooden spoons, and especially carved butter prints.

Where do you do your work?

I do all the milling and glue-ups in my wood shop in Halifax, then I take the boards to my studio in Fall River to finish them. It’s on Lake Fletcher and is the most relaxing place to work, plus it means in the summer I get to take kayak breaks.

What kind of music do you listen to while you work?

Most recently Sharon Van Etten’s album Tramp, and Kathleen Edwards’ Voyager. I usually listen to Podcasts,and audiobooks though. When I’m sanding I’ll put on on audiobook and it helps me stay in the shop a lot longer. I love WNYC’s Radiolab, This American Life and History podcasts.

A place you love?

Bearly’s House of Blues and Ribs

An artwork or artist you love?

I have a soft spot for printmaking, and love work by Robert Rauschenburg and Ed Ruscha, and as an avid gardener I would kill for one of Cal Lane’s Shovels or a wheelbarrow.

Favourite time of the year?

Spring because it means I get to be in my garden again.

Three things you need in order to create?

A sketchbook, lumber, and a shop full of tools.

A film or book you love?

I haven’t watched anything but Top Gear UK on Netflix for the last four months. It’s a car show and it’s the funniest thing I’ve ever seen. When my boyfriend told me about it I said i wasn’t interested, but then he put on the episode where they make their own amphibious vehicles and I was pretty hooked.

What’s your favourite way to procrastinate?

Twitter and Top Gear.

Meet the Crafters: Rosie Smith

The show is this weekend, and our crafters are putting the finishing touches on their wares, perfecting their booth set ups, while some are preparing to pack up and travel to the show.
Rosie Smith of Sweet on Ewe is one of our new crafters, and she is travelling from Cape Breton for the show. You’ll want to be sure to check out her table to see the antique sock knitting machine that she uses in her production, I know I can’t wait to see how it works!
What do you make?
I like to make anything fibre-related. I do all kinds of things, but mainly I make things for your feet – mostly socks and some baby booties.
What is your process?
I use an antique sock knitting machine, circa 1925. The socks are all attached together in a long chain from the machine, so I have to cut them apart and sew up the toes. I knit most of my socks in white and then dye them afterwards – that way I get the colour gradations right and I dye exactly as much yarn as I need so there is no waste.
  How long have you been a crafter?
I learned how to knit when I was 7, and I haven’t stopped! I’ve been using my sock machine for about 2 years now.
What is your background/How did you get started?
I made the mistake of hand-knitting some socks for friends and family one Christmas. They went over too well, and that was all anyone wanted from me after that! They take so long to knit by hand, so I found that all I ever did was make socks and I didn’t have any time to knit anything else. I can’t remember now how I found out about sock knitting machines, but it became an instant obsession and I looked for one every day until I could afford one that worked. Now I find myself still only knitting socks, but at least it’s faster and I can make a lot more of them!
 Why do you do what you do?
I love how freshly made socks feel! I also think that fibre art can be a sustainable Maritime industry – sheep and flax (for linen) do well here, and there are numerous natural dye plants around. I would love to see more people making a living using local materials and doing things that fit right here.
When you’re not selling at Crafters markets, where can I find your work?
I sell most of my socks by custom order, but I can also be found occasionally at the Downtown Sydney Farmers Market. This summer my socks will also be featured at The Bobbin Tree in Sydney.
 
How long have you been involved with Halifax Crafters?
This is my first show!
What makes Halifax Crafters different from other shows?
I have never been to a Halifax Crafters show, but I like that it is relatively small and affordable – you don’t have to sell thousands of dollars worth of your product to make it worthwhile like you do at other shows.
What are you excited about seeing at the Spring Market?
I have a soft spot in my heart for anything fibre-related and printmaking.
How do you begin a new project? 
I don’t have a consistent method. Sometimes I plan and calculate everything perfectly beforehand, and sometimes I just jump right in and learn through trial and error. I’ve had a few disasters with the second method, but sometimes something new and exciting can come of it.
Where do you do your work?
I have a dedicated craft room in my house in North Shore, Cape Breton, but things tend to spill over and fill up the whole house! I’m in the middle of building a dyeing area in my back room, but for now all the dyeing happens in the kitchen so my stove is perpetually purple.
A place you love?
My “secret” swimming hole in French River, Cape Breton, and Tambon Sadao, Thailand.
Favourite time of the year?
Any time of the year, except spring!
A film or book you love?
Folk Art Found Me – a documentary about folk art on the South Shore
 A favourite quote?

“I only want to live in peace, plant potatoes, and dream” – Moomin – Tove Jansson