Meet the Crafters: Tacha Reed

Happy Monday! The sun is shining, the birds are singing, and the forsythias are in bloom – all in time for Halifax Crafters Spring Fair! I hope everyone got to get outside and enjoy some time in nature this weekend! 

The next crafter we’d like to introduce to you takes inspiration from the natural world around her. Tacha Reed of Woodland Wool is a veteran Halifax Crafter – you may have taken home one of her adorable owls (or beavers, cats, foxes, monkeys!) that she creates using repurposed woollen materials. She’s recently expanded her offerings, and now creates stunning feltscapes, and functional hooked pieces (check out the amazing owl tea cozy below!) all of which you’ll find at the Olympic Center next weekend. 

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What do you make?

I make whimsical critters, “feltscapes” and rug hookings from natural and recycled materials including wool sweaters and other clothing.

What is your process?

I’m always on the hunt at Frenchies, Value Village and Good Things in Store for supplies; chunky yarn, vintage fabric and anything wool that I can shrink down and turn into something else. I don’t work with any physical patterns, I rarely even sketch things out -only when an idea hits me and I’m worried that I might lose it before I have a chance to make anything. Mostly I just map it out in my brain and then grab my scissors and my needle and thread and go for it, hoping for the best. Sometimes I have a few duds on the way as I figure out the patterns, but even those guys always seem to find someone to love them.

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How long have you been a crafter?

I think I was born a crafter. My grandmother was always knitting, quilting or sewing and had a habit of collecting art and craft supplies, something that I too have adopted. You might say I have an addiction.

What is your background/How did you get started?

Many years ago I worked in animated television and every nine months or so the entire production crew would be laid off for three months until the next season started. On each break I’d fill up my time working on projects; beading, sewing, learning some new craft. After several years I realized that I had more than enough things made to fill an entire booth at a craft show. I mentioned the idea to my mother who quickly presented me with a copy of The Coast with an ad for Halifax Crafters. It seemed like fate. That was about 5 years ago and I have participated in every show since. The first few years I mostly sold reproductions of my visual art and my feather jewellery (a collaboration with east coast folk rocker Christina Martin). Over time I began to introduce my critters to the mix, first owls then kitties, foxes and monkeys and after a few years I dropped the visual art, and then the jewellery and now I focus on my woolen and hooked creations.

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Why do you do what you do?

Creating the critter themselves happened by chance – one day my partner Bryan presented me with his favorite sweater that he had accidentally shrunk and he asked if I could do something with it. As a child I had a small leather camel and rabbit my grandmother had picked up at Frenchies. I remembered examining the toys, breaking them down in my head, figuring out the pattern and thinking that someday when I was older that I would make some myself. When Bryan presented me with the challenge I naturally turned to my childhood friends and made myself a camel, then a rather large rabbit. Then I looked at the shape of the remaining arm of the sweater and I made my very first owl. I got such a great response from my first few creations that I ended up sticking with it as my primary crafting hobby and before long Woodland Wool was born.

When you’re not selling at Crafters markets, where can I find your work?

You can find my critters at Put Me On in Halifax, Dots & Loops Handmade in Lunenburg, the gift shop at the Avon River Heritage Society Museum in Newport Landing, Johnny Ruth  in St John’s Newfoundland and through my Etsy shop.

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What makes Halifax Crafters different from other shows?

I feel like I’m with the rest of my tribe when I’m at a Halifax Crafters show. I participate in a lot of different art events but this is the one at which I feel the most at home. Every show kind of feels like a trip home to visit some long lost relatives. I look forward to catching up with the vendors and hearing about all their endeavours and I love seeing the returning patrons, especially the little fellas who I’ve watched grow with each passing year. Every year I hear at least one fabulous story about the life of one of my critters and how they have made an impact on someone’s life. I love that something I created could mean so much to another person.

What are you excited about seeing at the Spring Market?

I have a few favourite vendors, I always look forward to seeing what new t-shirt designs the Quarrelsome Yeti has come up with, and I love checking out the beautifully dyed fibres from Uber Wench. I always look forward to Kyla Francis‘ new glassware designs, we seem to share the same nostalgia for old technological devices. I can’t wait to see the new puppet dudes by CRANKY, I’ve been following them online so it will be great to meet them in person. There is just so much great stuff there that really, I’m excited about it all!

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What do you do when you are not crafting?

When I’m not crafting I work as a freelance artist and designer and I help manage the art gallery side of things for the Bread Gallery in Brooklyn, NS. I am also the President of the Hants County Arts Council where I help to promote and organize several shows a year for the group. Come by my booth for a copy of our art’s digest and the Avon Land of Plenty info booklet, they can help to guide you when you take your next visit to Hants County!

How do you begin a new project?

I usually get started on a new batch of critters once I’ve picked up a number of sweaters to shrink. I always wait until I have enough of a certain colour, just in case the dyes leak (and because I don’t want to waste any water.) Once felted I cut off all of the arms and then break them up into my various critter shapes like owls, beavers, foxes and dragons. I used to make each one individually but now I treat it like a production line. My critters have four steps so I always have a collection of shells ready to be sewn, bodies ready to be stuffed, bottoms and wings/tails/ears pinned and ready to be sewn on, and a selection of nearly done critters that are just waiting for their needle felted details to be added. This way I can still keep things fairly spontaneous so it doesn’t have to feel like work.

I’m not sure there is a day that goes by that I don’t make something, whether I’m working on a critter or hooking a rug or spending time on one of my bigger feltscapes – I always have several projects on the go. A lot of my work involves repetitive motions so I’m always switching things up, trying not to do too much of one motion so that I don’t get too sore. I need these hands to last me my whole life!

Where do you do your work?

Last year we divided our garage in half with a man cave in the back for Bryan and all of my art supplies and various collections in the front. Here I work on my messier/smellier projects like working with stained glass, resin and silk-screening. Unfortunately we never got around to hooking up the heater last fall so throughout the cold winter and spring I have been working in my cozy corner of the living room. Hopefully this year we will get the garage studio operating year round and I can move all of my Woodland Wool related supplies outside and we can finally have our living room back!

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What kind of music do you listen to while you work?

I tend to listen to CBC music or CBC radio 2 for the most part, when I really need some motivation I’ll pull out my favorite vinyl; Bob Marley and the Wailers, Juluka, Talking Heads, Kate Bush, Joni Mitchell, Waylon and Willie – something really familiar that I can sing my heart out to.

A place you love?

Home.

Favourite time of the year?

I live for the spring. It wasn’t until I moved to the country and planted a garden that I became fully aware of the tiny changes that take place in the environment around me. Every day I take a walk around the property and look in on each and every plant to see the changes from the day before. We are lucky to have many creatures that share our pond; ducks, geese, otters, turtles. I believe that the experience of living in the country has steered my work in it’s current direction.

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Three things you need in order to create?

Music, sunlight and a comfy chair to sit in.

What’s your favourite way to procrastinate?

Writing, blogging, and email correspondence. If you finally get a long note back from me it was probably because I was avoiding doing the dishes, vacuuming or sewing for the craft show this weekend!

2013 Spring Fair Vendors

Here it is, what you’ve all been waiting for – our Spring 2013 Fair lineup! Pencils ready, on your mark, and start making your gift giving list! We’ve selected a great group of crafters working in many different mediums, and we’ve broken them down by category to help you in your search. Be sure to scroll all the way to the bottom to check out our Fresh Catch offerings this time round, we hope you’ll love their work as much as we do!

WOOD

Be Bold
Terron Dodd
Peggy Jenkinson
Have A Seat
Ravenview Art & Craft
Swaine Street Woodworking

2DChris Foster
Sarah Burwash
Anna Stowe
Rebecca Roher
Benjamin Allain
The Quarrelsome Yeti
The Lonely Pixel Photography
Ocean Art Studio
Fish Bone Prints
Hello Daylight

TEXTILE ARTL-A Steeleworthy
Wanderlust
keephouse
Joanna Close
Anna Taylor
Sewn by Blythe
The Sparrow Tree Handcrafted Toys
Woodland Wool
CRANKY
bespoke uprising
UberWench – Fine Art Fibres

TEXTILE APPARELChantal Doak
heart and hook
Orphanage Clothing
Pip Robins
Meversible Hats and Accesories
The Scoop
Sweet on Ewe
Poison Pear
Dartmouth Clothing Co
Marshall Arts Fine Handwoven Textiles

PAPERCRAFTPapercutter – ANI van DYK
Little Foible
Sarah Phelps Creative
MyHandboundBooks
White Raven Ink
bigDAY
Mule Mother Books
Inkstorm Screenprinting Collective + Anchor Archive

LEATHERSteady Brook Saddlery and Custom Leather
Old Birch Workshop

jewelryStacey Leunes Designs
Rare Specimens
TORI.XO
Angela Grace Jewelry
Elkencrow
Fervours Own Jewellery
Rita

GLASSPeace By Piece Glass Art
Kyla Francis
Barchaud Designs

FOODHoneyspoon Baking Co.
Cocoa and Honey Chocolates and Confections
Little Red Kitsch’n
The General Cafe
Homeschool Catering
The Food Wolf

COSMETICSOsha Mae
Simply Sublime Soaps
Cosmic Tree Essentials

CERAMICS01Karolina-Anna Hajna
Rachel de Condé
Therese Bombardier Designs
Morton Ceramics
Gold Fools
Black Crow Pottery

FRESH CATCHbows+arrows
MisAnthropy
paisley chapbook press
Betty & Bing Letterpress
Arundel Studios
Neuneu Booboo
Crown Land Goods
Jitterbug Sodas and Twist Elixirs
Bedlam Cats
Stitch Please
LuLuBellefontaine

Meet the Crafters // Fresh Catch Edition: Benjamin Allain

One more sleep till showtime! Tomorrow the Beary Merry Winter Market will open at 10 AM, at the Olympic Centre, 2304 Hunter Street. Admission is free! Don’t forget that most vendors take cash only, there is an ATM on site if you need it (: Also make sure to come hungry – there are lots of great food vendors on site, lots of delicious treats, as well as some great lunch options from Homeschool Catering.

The last Crafter we’d like introduce to you before the show is Benjamin Allain. He makes paintings, tells stories with collages made from his collections of found materials and words. Make sure to visit his table, no two of his paintings are alike!

Benjamin Allain

What do you make?

I make small, humble vignettes that depict characters in a surreal, understated sort of fairytale. I like to use materials that I find at thrift stores and yard sales in my narratives because these objects already have a history of their own, and can contribute to my stories with much more gusto than a canvas that has only seen the inside of a factory.  I use text as a thread to punctuate subjects within the work that may seem disjointed. I combine elements of folklore, regionalisms, antiquated illustrations, gallows humour and, most importantly, chance to create an awkward moment in a whimsical story.

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What is your process?

It’s sort of a factory line with no blueprints and the employees are all four minutes away from quitting time.  I am an accumulator of things firstly. I have stashes of phrases, photographs, old drawings, branches, seashells. I continuously collect free and cheap things, useless things, garbage, driftwood, pages from novels. I’m not organized. I don’t even live in its district. Everything is everywhere and it is only by minor miracle that any of it comes together. I don’t know. I’ll just have a really great day and sit down with all this junk and start drawings things, gluing things together. This is the factory line with no plan. I’ll have a stack of paper, a stack of cutouts, some phrases in mind. Works are built up in layers and layers, sometimes over many years, as I keep and continuously change any work that is in my possession. When things start rolling, the pieces feed off of each other, and a narrative takes place within the whole pile. I find it much more fun to create a narrative as I go rather than adhering to a predisposed idea of what a piece should look like or say.

How long have you been a crafter?

I’m not sure of the exact date, but my oldest surviving work is a large scale drawing of all the Teenage Mutant Ninja Turtles and their enemies I drew on the back pages of my mothers cookbook when I was two-and-a-half.

What is your background/How did you get started?

I had been studying Rorscach and chance in different classes during my schooling, and those ideas sort of unified in these drawings I had made by mapping out forms I saw in coffee spills. From there I’d spend a lot of time thinking about poems and titles to go along with the now-concrete forms. I realized I loved figuring out what story was going on in these completely random spills. It’s still how I make my work, although now I try to find an interesting narrative in things with a few more materials and layers.  It’s as much fun trying to make sense of a canoe in a gold oval frame as it is a spill of coffee.

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Why do you do what you do?

To create private jokes between me and the viewers of my work. My work is very purposefully cryptic, but definitely not random. There are dots to be connected between the text, the images, the painted-over parts, the fingerprints… when someone looks through all of the parts and they find a story similiar to the one i had intended (or a more interesting one i had no idea was in there!) it’s kind of like you just broke the ice with that person. It’s a wonderful thing to share with a stranger or even an old friend who you thought would never get that silly drawing of twelve soldiers with a rabbit on a TV.

When you’re not selling at Crafters markets, where can I find your work?

If you’ve not found one of the drawings I deposit in between bookpages all over the maritimes, you can see most of my new work on my Tumblr page and as part a wonderful collaborative community called Feelsgood.  You can also see some of my work at music shows and stores. I’ve been really lucky to get to design album artwork or posters for the Grass Mountain Hobos (RIP),  Gordie MacKeeman and his Rhythm Boys, Owen Dacombe Steel, Mike Trask, the Belle Comedians, Carleton Stone, Andrew James O’Brien, Scott MacKay, Ashelin, and the Ross Family Band. I’ve only recently come to terms with actively looking to show my work, so keep them peepers peeled in the coming months for shows from here to Vancouver. And in between, too!

What makes Halifax Crafters different from other shows?

Everything just seems so dang honest and the overall impression I get is both timeless and 2012. At some other markets, I felt like the some crafters were just there to sell their wares. Which is fine and all, but it’s a much better feeling to get to talk to an artist or crafter about their work and see genuine interest in their voice, regardless of whether or not you buy something. Because of that ingenuity, I found it much easier to part with money for something so loved by its maker.

 What are you excited about seeing at the Winter Market?

Oh goodness. Everything. It’s ennobling to be immersed in the collective fruits of many months worth of work, my only hope is that I can fandangle someone into watching my table for an hour or two so I can meander around at a good, slow pace.

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What inspires you to create?

Whichever book I am reading. Whichever album I am listening to. Finding an interesting piece of wood or a charmin’ little piece of brick-a-brac.  It’s usually just being in the right mood to make what I’m making. I’m lucky to have made associations in my brain that make me want to make artwork no matter my mood. I have things I can work on when it’s three am and I’ve just returned from a really exciting evening. Or on rainy Sunday mornings. Or when I get to listen to a new album. In terms of phrases, I’ll usually hear something really interesting while I’m back home on PEI hanging out with my elder kinfolk. The phrases and small changes made to personalize regional dialect are endless wells of textual inspiration.

 How do you begin a new project?

I think I am working on a continuous project.

Where do you do your work?

Lately I’ve been scavenging for materials, so I might say I do a lot of my work on the shore and thrift stores and roadside giveaways. Once I have my materials, I joyously sequester myself in my room for a few days with the essentials of creating and lose track of straight time. Things usually go willynilly till sometime after midnight, which has always been the way. I think I convinced myself of two very important things at a young age: During the day, there are many more minds to intercept good ideas from the air. When everyone else is asleep the odds are in your favour. And there is something very inspiring about the moon at three am.

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What kind of music do you listen to while you work?

I will answer the predictable answer of ‘everything.’ The only real rule I’ve put on myself is to listen to music without lyrics or with lyrics in another tongue so I don’t make impulsive decisions on what text to add based on the feeling I get from a song. A lot of the times those words don’t translate to what I’m working on. I think I decided this when I had a really great drawing of a dozen crows tied to a ladder via rope and put “Love in an elevator” in huge letters at the top.

A place you love?

Fireside.

Favourite time of the year?

I’m a sap for whatever season is current.  Right now I love autumn for all the right reasons. Wool. And in a few short weeks, I am going to love the cold embrace of crystalline air and the various crunchings of solidified water.

Three things you need in order to create?

Coffee, tobacco and candlelight.

A favourite quote?

“It’s never too late to have a happy childhood.” Tom Robbins, last line of Still Life with Woodpecker.

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A film or book you love?

Any book by Tom Robbins is guaranteed to fill my head to the brim with his wild concoction of philosophical ramblings, romantic tangents, absurdiy and truth. Actually, his work may be the single biggest indirect influence on me at this point in my artmaking.

What’s your favourite way to procrastinate? 

Well, during these hermitty days in my room when I’m absent from day-to-day, the pangs of hunger eventually hit and I’ll end up spending a few hours going out to get ingredients, putting on the CBC, fixing a drink and filling the kitchen with the warmth of a very amateur cook who spends much more time in the kitchen than he maybe ought to.

Meet the Crafters // Fresh Catch Edition: Marc Comeau

 Today we’re excited to introduce you to another of our ‘Fresh Catch’ Crafters, Marc Comeau of Old Birch Workshop. Marc makes functional leather items that are simple, classic, and would make good gifts for hard to buy for relatives on your list, like your little brother or Uncle Ted. Be sure to stop by his table at the Winter Market and say hello!

What do you make?

I work with leather and I make whatever I can out of it! My staple product is the belt, but I also make camera straps, dog & cat collars, and leashes. A lot of my projects have stemmed from thinking of something I could personally use. I am always looking for new projects to attempt. I’ve made a shoulder strap for my duffle bag, a folding camp stool, a knife sheath, a slim wallet, pedal straps for my bike and a belt-mounted bike lock holster. I like creating things that make life easier and look good at the same time.

What is your process?

Starting with a full hide of leather, I cut strips or other shapes, trim them to the appropriate size, bevel edges, and skive to taper leather where needed. Then I apply dye, apply a finish and finally, stitch the leather or secure it with rivets or snaps, and attach any hardware. I am also able to stamp various designs into the leather, including letters or numbers, so I’m able to personalize items with a monogram or stamp your pets name on a collar.

How long have you been a crafter?

I have been crafting for a little over a year now. I feel like I’m just getting started and there’s a lot I know I can learn and improve on.

What is your background/how did you get started?

Based on my background, you might be surprised to learn that I’m artistically inclined. Math was my favorite subject through school and I went on to dabble in engineering and business studies, though most of my time has been spent behind a coffee shop counter, which provides fleeting moments of artistic expression. I got started in leather crafting after perusing various blogs of artists who make similar creations and being inspired by their efforts.

Why do you do what you do?

After seeing the neat things other people were putting out there, I found myself yearning to own a lot of it and got to wondering if I had it in me to create it for myself.  After discovering I did, I got to thinking ‘hey, other people might be interested in this stuff, people in this city, who might not otherwise be exposed to it’. In this day and age of out-sourced, mass-produced garbage, I have an appreciation for things that are made with care, made with pride, made by hand, and made to last. I want to support that sort of craftsmanship and encourage people to think about the long term when they are buying something – buy what will last or be self-sufficient and make it yourself!

When you’re not selling at Crafters markets, where can I find your work?

In the not-too-distant future, I intend to develop my online presence via a blog and an Etsy shop. In the meantime, feel free to contact me at marcus.comeau@gmail.com if you are interested in my work. Got an idea? Send it along! I welcome commissions and I am all too happy to take on new projects. I can also possibly do repairs, depending on the job.

What makes Halifax Crafters different from other shows?

I have been to the last two Halifax Crafters shows and they do well to create a fun and inviting atmosphere. Between the décor, the music, the sense of community and the wonderful array of talent by all the vendors, it is easy to find a reason to go. The Winter Market is perfectly timed with Christmas and could very well be a one-stop Christmas shopping excursion for a lot of wise folks. Get out there and get your mom a locally made piece of art!

What are you excited about seeing at the Winter Market?

I’m excited to see what my ever-so-talented friend, Ellen of Mule Mother Books has been busy creating. She makes really beautiful notebooks, sketch books, and DIY bookmaking kits that incorporate recycled, one-of-a-kind images/resources and really, really nice paper. I’m also looking forward to checking out the works of crafters I discovered last year. And of course I am also eager to see the works of other new vendors like myself. I should start setting aside cash now, because I’ll undoubtedly see lot of things that will tempt me to pull out my wallet!

Where do you do your work?

I’m gradually piecing together a small workshop in my basement. I feel really fortunate to have this space and I’m making improvements on it all the time.

 What kind of music do you listen to while you work?

I really enjoy easing into my day with Julie Nesrallah on “Tempo”. When I find myself down in my workshop in the evening, I let Laurie Brown of “The Signal” on CBC Radio 2 choose my soundtrack. I find repetitive, instrumentals quite help me concentrate on my work. Things like The Field, Braids, Broken Social Scene, Flying Lotus, Atlas Sound. Though lately I have been listening to at lot of Kurt Vile and Cousins.

A place you love?

My home. The people in it make it awfully nice to come back to and awfully hard to leave, especially as we transition from summer to fall/winter and I enter into hibernation mode.

An artwork or artist you love?

I may be biased, but my sister, Krista Comeau is a skilled artist and NSCAD graduate whose many talents go far beyond her dominant interest in photography. Whether it’s a paintbrush or pencil or camera lens, she excels with any medium and has a definite knack for creating something beautiful. She took all of my product photographs, as well as the photos of me in my studio.

Favourite time of the year?

You might hear me cursing the winter for its cold, wet weather, but I do appreciate it. I love when the snow falls thick, blanketing everything while I stare at it from the cozy side of the window with a hot cup of something. Fall is beautiful too, with its rich colors and refreshing, crisp air that encourages you to dig out your cozy toque and scarf. All that being said-  I live for the summer. It’s short-lived here but I make the most of it. Bike rides, beaches, beer, birthdays, bon fires, buds.

Three things you need in order to create?

A positive mindset, a full stomach, and all my tools & supplies.

What’s your favourite way to procrastinate?

A bowl of popcorn, Apple TV, hanging out with my girlfriend- and not in that order!

Meet the Crafters // Fresh Catch Edition: Rebecca Roher

We mentioned in our last post we’d be introducing you to some of the crafters in our new ‘Fresh Catch’ category. This category is yet another way that Halifax Crafters is endeavouring to bring new and inspiring work to the show, providing you with fresh gifting ideas, while giving emerging crafters the opportunity to test new waters. We are really excited about our ‘Fresh Catch’ Crafters, and can’t wait to give you a sneak peek of some of the fantastic new work that you’ll find at the winter market. Let’s get started!

The first ‘Fresh Catch’ crafter we’d like to share with you is Rebecca Roher of Rebecca Roher Art. She is an accomplished painter and illustrator who lives and works on the South Shore of Nova Scotia. We love Rebecca’s paintings and her use of colour – they are as playful as they are thoughtful, and would make great gifts for the dreamers in your life! 

What do you make?

I paint bright and whimsical watercolours inspired by the beauty and wonder of the natural world, and the curious and playful way we interact with it. I try to capture the magic in the everyday, playfulness, humour and the joy of life. I’m awed by the way children explore the world with wide open eyes, and the intensity with which a kitten can focus in on very small details and be completely engaged. I get excited about gardens and forests, all the life hiding within, rich in potential for imagery and stories.

Aesthetically, I love the traditional Mughal miniature painting style from India, its flat aesthetic and small-scale detailed portrayal of plants, animals and figures. I am hugely influenced by stories and storybooks and tend to think of my paintings as illustrations. Illustrations are very powerful, especially for the very young. The images we gazed upon while parents read goodnight stories stay with us for life. Who knows how they inform the people we become.

What is your process?

The images I create often come to me after I spend time outside, flipping through a book, hearing or imagining a story, and sometimes from seeing a powerful image or symbol. I keep a lot of sketchbooks and doodle in them. Sometimes I want to take a sketch further and make it into a painting. When I paint, I try to tap into my inner child and remember how to play.

I try to be both loose and controlled in my handling of the watercolours. I like a naïve aesthetic, and an exaggeration and simplification of colour and shape. I experiment with the possibilities of the watercolour medium, playing with effects achieved by water, resist and salt. I limit myself mostly to two very fine brushes, made in India of squirrel hair. These brushes are traditionally used to paint Indian miniature paintings—a style which, as I mentioned, is an important influence for my work.

How long have you been a crafter?

I started focusing on watercolours in my final year at NSCAD about four years ago, but only started making prints of my paintings in the last year, so I am quite a new crafter and am in the ‘fresh catch’ category this year. I started selling prints this summer at my local Farmers Market in West Dublin, NS and at the Sappyfest Zine Fair in Sackville, NB. The prints are limited edition and are printed on heavy archival quality watercolour paper. I am delighted by the results. They are bright and beautiful and look shockingly like my original work. I also sign, title and number each print.

 What is your background/How did you get started?

My mum is an artist and used to take me to life drawing classes when I was growing up in Toronto. This gave me an amazing foundation in drawing the figure- something that informs the ability to draw anything. I graduated from NSCAD with a BFA in drawing and painting in 2009. After graduating, I was accepted into a yearlong studio residency at the Old Firehall in Lunenburg, NS. There, I was able to establish a focused studio practice. Upon leaving the residency, I stayed in the LaHave area and rented a small wood heated cabin for my studio where I painted the majority of the work available as prints at crafters this year. The cabin was cut off from communication and distractions, and I was quite productive there. Now, I work in a studio in my home in West Dublin.

 Why do you do what you do?

I love painting. It’s something I know I will do forever and get excited about doing forever, which I can’t say I feel about most other things. When I see or hear something that inspires a feeling in me, I have a vision and get the urge to paint in order to capture it. I get the urge to paint all the time, I never feel that I’m doing it enough. There are way more paintings still in my head than on paper.

When you’re not selling at Crafters markets, where can I find your work?

You can find my work in my Etsy shop and in store at Dots & Loops Handmade in Lunenburg.

What makes Halifax Crafters different from other shows?

Halifax Crafters has an incredibly high standard of handmade local goods. It’s amazing how many talented, creative people there are in the Halifax area selling their creations there. I’ve been a customer at the sale for many years, from back when it was in the North Street Church, and it’s expanded so much. It takes a lot of self-control to spend an appropriate amount of money there- I just want to buy everything.

What are you excited about seeing at the Winter Market?

Although I am the kind of person who wears the same piece of jewelry for years and never take it off, I am always most attracted to the jewelry at crafters and end up becoming completely attached to a ring or necklace. I also get quite attached to mugs, I get lost in the fantasy of holding a handmade mug full of warm coffee. Also, anything tiny.

 What kind of music do you listen to while you work?

I’m on a big Bill Callahan kick. In that vein, the Weather Station and Jennifer Castle. I also love female jazz vocalists and am pretty excited about a recent discovery of Greta Keller. I also like to put on stuff with a beat, like Little Dragon and Grimes, to keep energy going.

 A place you love?

My cottage and canoe tripping in Northern Ontario. I miss both so much.

 An artwork or artist you love?

Maira Kalman- her book “the Principles of Uncertainty” and everything else she does, also Frida Kalho and Quentin Blake.

 Favourite time of the year?

I like every season but think I like fall best. Maybe that’s just because its fall right now. Everything slows down and its time to make fires, wear sweaters and get cozy. It’s not too cold yet and there is still bounty from the summer. And oh, the colours!

What’s your favourite way to procrastinate?

Tending to the fire, puttering around my house and tidying things.

Meet the Crafters: Jana Bookholt

Okay folks, this is our last crafter interview, which means tomorrow is showtime! Don’t forget to bring your friends, admission is free! (Oh and come hungry. There are some great food vendors that you don’t want to miss). 

Jana Bookholt of Swaine Street Woodworking hopped off a plane earlier this week and the first thing she did was answer these questions for us. She makes a lovely line of cutting boards that I’ve been coveting for ages. 

What do you make?

I make things out of wood. Mainly cutting boards, and a line of wood care products including Rosemary Lemon Cutting Board Oil and Beeswax Polish.

What is your process?

For a cutting board I begin with rough lumber, mill it down, cut it, glue it up and sand it. Then I draw on the board with my wood burning pen. My most popular board has a cow on one side, and a carrot on the other so you can flip it to prevent cross contamination when you’re cooking.

How long have you been a crafter?

I have been a maker since I could grasp a pencil and a glue stick. I began working with wood last year though.

What is your background/How did you get started?

I went to NSCAD after high school and took mostly printmaking and drawing classes. I practically lived in the lithography studio. I did take the wood and metal class, but the funny thing is I never finished the wooden box we were supposed to make. I think we had to be in the shop around 9am and I was really afraid of the saws and I really didn’t like getting up early. After graduating I bought an old house and decided take cabinetmaking so I could fix it up myself. I moved to New Glasgow for school and while I was there I started making wooden toys and cutting boards.

Why do you do what you do?

Because I love making. I love that I can go into my shop and make whatever I want and it can be something beautiful, and useful, and it can last for a 100 years or more. I love learning about woodworking and constantly improving and building upon my skills. I get bored if I don’t have a challenge.

When you’re not selling at Crafters markets, where can I find your work?

In Nova Scotia you can find my work at henhouse, Love, Me Boutique, Carbonstok, The Nova Scotia Centre for Craft and Design Shop, and Dots & Loops, and I’ll be at the Halifax Farmers Market Saturdays starting mid May. In Ottawa my work is carried at Bloom Artisan Boutique. I just got back from Toronto late Wednesday night and I’m really excited that my product line will be making it’s Toronto debut at La Merceria, followed by Distill as well as a few others.

How long have you been involved with Halifax Crafters?

Halifax Crafters Spring 2011 was my very first time selling at a craft show. I’ve always looked forward to attending. I can’t remember the first time I went but it was when they were still in the North Street Church.

What makes Halifax Crafters different from other shows?

The Halifax Crafters always put on a really fun sale. There is such a wide variety of work and you can get something beautiful and handmade without dropping an obscene amount of money. Because it’s run by volunteers the table cost is low which is really helpful for emerging artisans and it creates a great sense of community. Plus the music and decor is way better than at other sales.

What are you excited about seeing at the Spring Market?

I’m excited to see what everybody has been busy making all Winter. There are too many crafters to list! It seems I always need more handmade hairpins because I end up giving them away all the time. I’d love a new coffee mug and I love checking out the jewellery.

How do you begin a new project?

When I’m trying to come up with new designs I’ll usually go to the NSCAD library and browse through the books. I like stumbling upon things I never would have found if I had been looking in the catalogue.   Right now I’m loving anything folk art – painted and carved folk furniture, bird decoys, quilts, antique wooden spoons, and especially carved butter prints.

Where do you do your work?

I do all the milling and glue-ups in my wood shop in Halifax, then I take the boards to my studio in Fall River to finish them. It’s on Lake Fletcher and is the most relaxing place to work, plus it means in the summer I get to take kayak breaks.

What kind of music do you listen to while you work?

Most recently Sharon Van Etten’s album Tramp, and Kathleen Edwards’ Voyager. I usually listen to Podcasts,and audiobooks though. When I’m sanding I’ll put on on audiobook and it helps me stay in the shop a lot longer. I love WNYC’s Radiolab, This American Life and History podcasts.

A place you love?

Bearly’s House of Blues and Ribs

An artwork or artist you love?

I have a soft spot for printmaking, and love work by Robert Rauschenburg and Ed Ruscha, and as an avid gardener I would kill for one of Cal Lane’s Shovels or a wheelbarrow.

Favourite time of the year?

Spring because it means I get to be in my garden again.

Three things you need in order to create?

A sketchbook, lumber, and a shop full of tools.

A film or book you love?

I haven’t watched anything but Top Gear UK on Netflix for the last four months. It’s a car show and it’s the funniest thing I’ve ever seen. When my boyfriend told me about it I said i wasn’t interested, but then he put on the episode where they make their own amphibious vehicles and I was pretty hooked.

What’s your favourite way to procrastinate?

Twitter and Top Gear.

Meet the Crafters: Rosie Smith

The show is this weekend, and our crafters are putting the finishing touches on their wares, perfecting their booth set ups, while some are preparing to pack up and travel to the show.
Rosie Smith of Sweet on Ewe is one of our new crafters, and she is travelling from Cape Breton for the show. You’ll want to be sure to check out her table to see the antique sock knitting machine that she uses in her production, I know I can’t wait to see how it works!
What do you make?
I like to make anything fibre-related. I do all kinds of things, but mainly I make things for your feet – mostly socks and some baby booties.
What is your process?
I use an antique sock knitting machine, circa 1925. The socks are all attached together in a long chain from the machine, so I have to cut them apart and sew up the toes. I knit most of my socks in white and then dye them afterwards – that way I get the colour gradations right and I dye exactly as much yarn as I need so there is no waste.
  How long have you been a crafter?
I learned how to knit when I was 7, and I haven’t stopped! I’ve been using my sock machine for about 2 years now.
What is your background/How did you get started?
I made the mistake of hand-knitting some socks for friends and family one Christmas. They went over too well, and that was all anyone wanted from me after that! They take so long to knit by hand, so I found that all I ever did was make socks and I didn’t have any time to knit anything else. I can’t remember now how I found out about sock knitting machines, but it became an instant obsession and I looked for one every day until I could afford one that worked. Now I find myself still only knitting socks, but at least it’s faster and I can make a lot more of them!
 Why do you do what you do?
I love how freshly made socks feel! I also think that fibre art can be a sustainable Maritime industry – sheep and flax (for linen) do well here, and there are numerous natural dye plants around. I would love to see more people making a living using local materials and doing things that fit right here.
When you’re not selling at Crafters markets, where can I find your work?
I sell most of my socks by custom order, but I can also be found occasionally at the Downtown Sydney Farmers Market. This summer my socks will also be featured at The Bobbin Tree in Sydney.
 
How long have you been involved with Halifax Crafters?
This is my first show!
What makes Halifax Crafters different from other shows?
I have never been to a Halifax Crafters show, but I like that it is relatively small and affordable – you don’t have to sell thousands of dollars worth of your product to make it worthwhile like you do at other shows.
What are you excited about seeing at the Spring Market?
I have a soft spot in my heart for anything fibre-related and printmaking.
How do you begin a new project? 
I don’t have a consistent method. Sometimes I plan and calculate everything perfectly beforehand, and sometimes I just jump right in and learn through trial and error. I’ve had a few disasters with the second method, but sometimes something new and exciting can come of it.
Where do you do your work?
I have a dedicated craft room in my house in North Shore, Cape Breton, but things tend to spill over and fill up the whole house! I’m in the middle of building a dyeing area in my back room, but for now all the dyeing happens in the kitchen so my stove is perpetually purple.
A place you love?
My “secret” swimming hole in French River, Cape Breton, and Tambon Sadao, Thailand.
Favourite time of the year?
Any time of the year, except spring!
A film or book you love?
Folk Art Found Me – a documentary about folk art on the South Shore
 A favourite quote?

“I only want to live in peace, plant potatoes, and dream” – Moomin – Tove Jansson

Meet the Crafters: Niko Silvester

Only a few days left until the show, and there is lots to be excited about! With Mother’s Day around the corner, birthdays galore, + babies being born left, right, and centre, spring has sprung and there are lots of reasons to gift, and what better place to shop than Halifax Crafters Spring Up! Show? (:

Niko Silvester is printmaker, bookbinder, and jewellery artist. Today she shares a bit about her process, and how she got started in these mediums. 

What do you make?

I started out making hand-bound books, but have become primarily known for letterpress-printed cards. I also make miniature book jewellery, and have recently expanded into handmade paper. And if that isn’t enough, I’m a printmaker, too. I mostly work in lino these days, but I occasionally do lithography and intaglio prints, too.

So basically, if it has to do with books and hand-printing, I make it.

How long have you been a crafter?

I’ve been making things since I was a kid–my mom taught arts and crafts classes and was always trying new things, and I just kind of followed along.

I’ve been bookbinding since the mid-1990s, thought I didn’t have any actual training until the mid-2000s, which is also when I started letterpress printing. I’ve been doing linocuts since the late 80s, but it’s only in the last few years that I’ve become more serious about it.

What is your background/How did you get started?
I’ve always loved books, and wanted to take a bookbinding class for ages, but always seemed to miss out on registration. So finally I got a bunch of book out of the library, read them cover-to-cover, and tried following the instuctions. I made a lot of mistakes, and probably picked up some bad habits, but I got good enough that by the time I did take classes (from Susan Mills and Joe Landry at NSCAD), I already knew how to do a lot of the processes. And I managed to un-learn most of my bad habits.

As for letterpress, I arrived at NSCAD the same year the Dawson Printshop did (incidentally, I was also born the year the Dawson was founded), and took classes as soon as one was offered. Then I just kind of hung around the printshop until they gave me a job. Now I teach intro letterpress for Extended Studies.

Why do you do what you do?

I love books, and the smell of ink makes me happy (I also love old typewriters). As my “dayjob” (which I’ve joked is really my “all the time job”) I’m a freelance writer, and making things helps me get out of thinking mode for a while. Plus, it’s just really cool to hold something in your hands that you’ve just spent hours making. Some day I’d like to produce a book that I wrote, typeset, illustrated, printed and bound, all by hand, but that’s way more hours than I want to think of investing in a single project just yet.

When you’re not selling at Crafters markets, where can I find your work?

I’m really bad about getting work into shops, but I do have cards available at Inkwell Boutique (if you love hand-printed stuff, you must go there!). I also have two (well, actually three) Etsy shops.  They’re a little neglected right now, but I have lots of new things to add. The first is called White Raven Arts and has my art prints. The second shop is called Anagram for Ink and showcases my letterpress greeting cards and blank journals. If you like copper jewellery and/or animal bones, my third non-book-related shop on Etsy is Osteosophy.

How long have you been involved with Halifax Crafters?

I’m not really sure. A few years, anyway. I first attended as part of the Dawson Printshop contingent. When the shop closed, I kept going with my own work.

What makes Halifax Crafters different from other shows?

It’s a combination of quality and price, for me. The work is all top-quality, but also interesting and fresh. And the tables are priced so even a beginner can afford to get one–or an experienced crafter can try a new line without having to worry too much about not selling. I think the fact that it’s juried, but still relatively inexpensive to sell at, attracts a great mix of newbies and oldbies, and creates a much more vibrant atmosphere than any other show I’ve done. In fact, for the past few years, it’s the only one I bother with.

What are you excited about seeing at the Spring Market?

I’m really looking forward to see what the regulars have been working on since the winter market, and excited to see new faces and new products. I always leave the show with a million ideas for directions to take my own work, and that makes it worthwhile all on its own.

What inspires you to create?

Nature, science, history, literature. The smell of paper and ink.

How do you begin a new project?

I play with the materials, makes sketches, doodle, and just see what happens. Occasionally, I have a very clear idea of what the end result will be and it’s just a matter of making it happen.

Where do you do your work?

I have a space set up in my house with two big tables to spread out on, and two small presses. The bulk of my letterpress printing, though, I do in the Dawson Printshop at NSCAD.

What kind of music do you listen to while you work?

I live in the woods, so often I listen to the birds and the wind in the trees instead of music. If I do put music on, it varies with my mood and can be anything from classical to Celtic to industrial or electronica. I have rather eclectic taste.

A place you love?

Anywhere on the ocean.

An artwork or artist you love?

Far too many to name, really. I could go on for days. And as with music, I have very eclectic taste in art.

Favourite time of the year?

Definitely autumn.

Three things you need in order to create?

Paper, ink, and quiet.

A favourite quote?

It’s not an art quote, it’s a writing quote, and I’m not even sure who said it: A writer is someone who writes. An author is someone who has written.

A film or book you love?

Again, there are just too many. I read voraciously and (yes) eclectically, and though I don’t watch as many movies, I still like a wide range of the them. I’m guess I’m not very focused. (:

What’s your favourite way to procrastinate?

I procrastinate from making art by writing, and I procrastinate from writing by making art. It’s very productive. (:

When that doesn’t work, I go for a quick walk, which usually ends up being several hours of rambling in the woods.

Meet the Crafters: Hello Daylight

Stephen Bishop AKA Hello Daylight designed and silkscreened the Spring Up! show poster. Today we’re seeing more of what Stephen makes, and a small preview of what he’ll have for sale at the show!
What do you make?
I make limited edition screenprinted art prints and posters.
What is your process?
The illustration and design starts on paper, then moves to the computer, then onto my screens for screenprinting. One screen per colour. Each print is done by hand, on a manual homemade vacuum press. Most of my equipment is homemade, which is kind of the beauty of screenprinting, that you don’t need an expensive pro setup to do it.
How long have you been a crafter?
I forget exactly when I started, as the process of learning and equipment gathering took awhile. There is quite a bit of trial and error to get every part of the process right, like anything I guess. But I guess I have been screenprinting now for about 5 or 6 years.
What is your background/How did you get started?
I have always been drawing and painting and making since I was a kid. And I was also a pretty big computer nerd when I was young. So naturally I attended NSCAD, with a specialty in design. The design program largely focuses on creating for others, rather than on your own work, which is fine, but after I graduated I found that I yearned to create something just for me, and I wanted a process that was a bit more tactile and hands-on. I wanted to get my hands dirty again. NSCAD didn’t have screenprinting when I was there, at least not for paper prints. One day I was sitting in a cafe and saw an early poster by YoRodeo, and was blown away by the simple colours and striking imagery. It was design and typography, but also something more, with a more expressive quality. I immediately loved something about the way the ink looked and how it felt. I could tell it was made by hand. From that day I started the quest to learn how to screenprint, and ironically  a couple years later ended up sharing a studio with them for years.
Why do you do what you do?
 Primarily I love laying the ink on paper by hand, and seeing it slowly build up to create an image. I love the texture and how each print is subtly unique. I even love the process of burning the screens and lining everything up. I love taking my drawing from paper to computer, then onto the screens, then onto paper. I’m slowly migrating to a life where printmaking takes up more of my days than commercial design, with the goal of eventually only drawing and printing and making.
When you’re not selling at Crafters markets, where can I find your work?
My work can be found through my website, and in my Etsy shop, Hello Daylight. I also co-own a shop in Lunenburg that sells all handmade items, called Dots & Loops Handmade, where my prints can be found, along with work from many other screenprinters from Halifax and beyond, and work from many other types of crafters including some found at Halifax Crafters.
How long have you been involved with Halifax Crafters?
I have been selling my prints at Halifax Crafters since Spring 2010.
What makes Halifax Crafters different from other shows?
The abundance of original, talented and passionate crafters at Halifax Crafters blows me away every time. And the organizers do such a good job of making it all happen. I haven’t been to many other shows, but I can’t imagine them getting much better.
What are you excited about seeing at the Spring Market?
I’m always excited to see what the other printmakers are doing, and their new work. That includes letterpress, textile, and other prints. I usually like to come home with a few prints to add to my collection.
What inspires you to create?
Other artists and printmakers. When I see their work I almost immediately want to create.
How do you begin a new project?
Often looking through books of images. Sometimes hitting the library. And always pencil and paper first to flesh out an idea.
Where do you do your work?
In my studio at the back of Dots & Loops Handmade, in beautiful Lunenburg, NS.
What kind of music do you listen to while you work?
All kinds. Sometimes I’ll just listen to CBC or a few This American Life podcasts. Headphones rarely leave my head while I work, which I’m sure will make me deaf one day.
An artwork or artist you love?
God, there are too many to name. YoRodeo consistently blow my mind, and they are super nice guys. I also love The Heads of State, DoubleNaut, Sasha Barr, Patent Pending, Hammerpress, Doe Eyed, Jolby, Landland, Chris Silas Neal, Niv Bavarsky, and Zeloot… to name a few.
Favourite time of the year?
Spring? No, early fall. September/October for sure. Winter is the worst thing ever invented to me.
Three things you need in order to create?
Music, music, my studio.
 What’s your favourite way to procrastinate?
Listen to and look for new music.
A favourite quote?
“Not all those who wander are lost.”  - J.R.R. Tolkien

Meet the Crafters: John McCarthy

John McCarthy is a photographer based out of Bridgewater, NS, and one of our talented Crafters. Be sure to look for John at the spring show, he kindly takes many event photos for us, so you may find yourself behind the lens of his camera!What do you make?

I make photographs.

What is your process?

As far as capturing the images, I shoot when I see something that resonates with me. It is a sort of spontaneous process. I carry my camera with me as much as possible so that makes it easier to capture these sometimes fleeting moments. Most of my photography at Halifax Crafters is taken with a digital camera, processed in my digital darkroom (aka my computer) until I am happy with the image. The last phase of production is making the digital images become fine art photographic prints. I print my images with archival inks and paper and mount them in mats so that they are ready to pop into a frame.

How long have you been a crafter?

I have been making photographs for around 7 years but only in the last 2 years have I really explored the process of making them come to life in print form.

What is your background/How did you get started?

My background is actually in music. I studied music at Acadia University and then studied sound for film and tv at Sheridan College in Oakville. Somewhere in the middle of all of this, I made some photographs. I borrowed my mom’s SLR for a couple months and then I was hooked. That was about 7 years ago. Now I have a camera near me at all times and I am constantly exploring new ways to use it. Recently I have been printing 36″ panoramas of Nova Scotia and have been quite pleased with the results. I will have several of these at Halifax Crafters for the upcoming market!

 Why do you do what you do?

I take photos because I feel a need to document life for some reason. I also like to show people things that I think are cool. I like to share my personal point of view and with a camera, you can collect and curate these little bits of life you find worth sharing.

 When you’re not selling at Crafters markets, where can I find your work?

Right now, until the end of April, I have a solo show going at the Wildwood Cafe in Bridgewater. I’m featuring some of the panoramas I mentioned earlier. I always have something new up at Viewpoint Gallery (across from Bearly’s on Barrington St.). Every month we show new work so be sure to pop by. If you are up in the valley you can find some of my photo-note-cards at the Flying Cloud Boutique in Ellershouse. I also display my favourite work on two websites, my ‘professional’ site which is home to my online portfolio and my photographic stream of consciousness photoblog.

How long have you been involved with Halifax Crafters?

This will be my third Halifax Crafters market so for about a year.

What makes Halifax Crafters different from other shows?

The sheer amount of different creations! I haven’t seen so many people who are so good at making so many different things in one place.  I get a real sense of community when I’m at these shows as well.

What are you excited about seeing at the Spring Market?

There were a couple ladies selling really good granola at the last Crafter’s Market… I really hope to see them again. I also look forward to see what Kat Frick Miller has cooked up for this spring show. Some other favourites are the many woodland creatures that come to Crafters with Tacha Reed.

What inspires you to create?

Landscapes, architecture, communities and the people within them.

Where do you do your work?

Outdoors! Pretty much all of my photos are made outdoors. In town, in the country, at the beach.

A place you love?

Aspotogan.

Favourite time of the year?

Summer.

What’s your favourite way to procrastinate?

Google Reader

A favourite quote?

It is always the instantaneous reaction to oneself that produces a photograph. – Robert Frank